February 1, 2010

Bicycling Photos: Abstracts


Massive wallride.

via 14 Bike Co.


January 30, 2010

Press Kits

by Nubbytwiglet

There’s absolutely nothing wrong with a little bump n grind . . . wait . . . sorry, that’s a tune. Like I was saying before I was distracted, there’s nothing wrong with self promotion as long as it is honest and classy. You should take time to understand the market in which you are employed and build your own swag bag/press kit accordingly. As with any burst of expression, and to be honest a press kit is exactly that, one must consider the audience and adjust the volume on that expression appropriately. If you are dealing with a liberal sort, then go mad. Make that kit your ultimante, not sure if that’s a word . . . maybe Italian, extravaganza bursting with the full glory of your personality and artistic creativity. Otherwise, and here’s where I get boring, you’ll have to scale your artistic expression to meet the expectations of your target audience.

blah . . .

Sorry . . .

. . . anyway here’s a good start with a interesting article written by a talented artist with good advice on building an informative and profound press kit.

Successfully Selling Yourself: How To Build A Press Kit | Nubbytwiglet.com


January 24, 2010

Nicholas Whalen: Haiti

January 23, 2010

Bicycling Photos: Creative and Simple

January 23, 2010

Cross Country Cycling Photo Essay

Lovely photo essay of a bicycle trip across America.

Visual Diary : Jake Stangel

I also enjoyed “The LBS” and “2 Days in Stowe, VT”. Great vision and composition in all of his work. I feel like I’ve seen it somewhere before but can’t recall where.

via tracko


January 19, 2010

Portfolio is Down

My portfolio is down. Have to pay server fees and being that I’m poor it’s gonna take some time. Hopefully it will be back up soon.

You can continue to keep track of my photography via my blog, twitter, and flickr. I deleted facebook and permanently liberated myself from the Horde of evil while simultaneously reducing the amount of shit in my inbox that I’m completely not interested in.

Stay classy and thanks for stopping by.

THIS WAS A SERVICE ANNOUNCEMENT BROUGHT TO YOU BY CRACKSTICK: KEEP DEM’ DRY CRACKY LIPS FROM CRACKIN’ UP FROM TOO MUCH CRACK. USE CRACKSTICK.


January 19, 2010

Stanley Greene: black passport


via a.p.e.


January 18, 2010

Kevin Cyr

January 18, 2010

Cars vs. Bikes


A compelling graphic comparison highlighting the difference between bikes and cars relative to the overall consumption of space.

click through for more.

via Candy Cranks


January 17, 2010

Struggle in Darfur

Jehad Nga
The New York Times


via The New York Times


January 17, 2010

Igor Posner: Russia

Thoughtful and engrossing.

via burn magazine


January 17, 2010

Peter Schuyff Sculpture

Peter Schuyff wooden baseball bat sculptures. Truly incredible concept and execution.

via The Donut Project


January 15, 2010

Keith Olbermann on Robertson & Limbaugh


January 15, 2010

Playboy interviews MLK Jr. 1965

Excerpt from the original interview:

PLAYBOY: We Shall Overcome has become the unofficial song and slogan of the civil rights movement. Do you consider such inspirational anthems important to morale?
MARTIN LUTHER KING: In a sense, songs are the soul of a movement. Consider, in World War Two, Praise the Lord and Pass the Ammunition, and in World War One, Over There and Tipperary, and during the Civil War, Battle Hymn of the Republic and John Brown’s Body. A Negro song anthology would include sorrow songs, shouts for joy, battle hymns, anthems. Since slavery, the Negro has sung throughout his struggle in America. Steal Away and Go Down, Moses were the songs of faith and inspiration which were sung on the plantations. For the same reasons the slaves sang, Negroes today sing freedom songs, for we, too, are in bondage. We sing out our determination that “We shall overcome, black and white together, we shall overcome someday.” I should also mention a song parody that I enjoyed very much which the Negroes sang during our campaign in Albany, Georgia. It goes: “I’m comin’, I’m comin’ / And my head ain’t bendin’ low / I’m walkin’ tall, I’m talkin’ strong / I’m America’s New Black Joe.”

PLAYBOY: Your detractors in the Negro community often refer to you snidely as “De Lawd” and “Booker T. King.” What’s your reaction to this sort of Uncle Tom label?
MARTIN LUTHER KING: I hear some of those names, but my reaction to them is never emotional. I don’t think you can be in public life without being called bad names. As Lincoln said, “If I answered all criticism, I’d have time for nothing else.” But with regard to both of the names you mentioned, I’ve always tried to be what I call militantly nonviolent. I don’t believe that anyone could seriously accuse me of not being totally committed to the breakdown of segregation.

PLAYBOY: What do you mean by “militantly nonviolent”?
MARTIN LUTHER KING: I mean to say that a strong man must be militant as well as moderate. He must be a realist as well as an idealist. If I am to merit the trust invested in me by some of my race, I must be both of these things. This is why nonviolence is a powerful as well as a just weapon. If you confront a man who has long been cruelly misusing you, and say, “Punish me, if you will; I do not deserve it, but I will accept it, so that the world will know I am right and you are wrong,” then you wield a powerful and a just weapon. This man, your oppressor, is automatically morally defeated, and if he has any conscience, he is ashamed. Wherever this weapon is used in a manner that stirs a community’s, or a nation’s, anguished conscience, then the pressure of public opinion becomes an ally in your just cause. Another of the major strengths of the nonviolent weapon is its strange power to transform and transmute the individuals who subordinate themselves to its disciplines, investing them with a cause that is larger than themselves. They become, for the first time, somebody, and they have, for the first time, the courage to be free. When the Negro finds the courage to be free, he faces dogs and guns and clubs and fire hoses totally unafraid, and the white men with those dogs, guns, clubs and fire hoses see that the Negro they have traditionally called “boy” has become a man. We should not forget that, although nonviolent direct action did not originate in America, it found a natural home where it has been a revered tradition to rebel against injustice. This great weapon, which we first tried out in Montgomery during the bus boycott, has been further developed throughout the South over the past decade, until by today it has become instrumental in the greatest mass-action crusade for freedom that has occurred in America since the Revolutionary War. The effectiveness of this weapon’s ability to dramatize, in the world’s eyes, an oppressed people’s struggle for justice is evident in the fact that of 1963’s top ten news stories after the assassination of President Kennedy and the events immediately connected with it, nine stories dealt with one aspect or another of the Negro struggle.

via Martin Luther King Jr. Interview – Classic Playboy Magazine Interviews


January 12, 2010

Unsolved Civil Rights Cold Cases

Acute journalism combined with compelling documentary photography and videography is a powerful voice. The team behind The Civil RIghts Cold Case Project intend on using that voice to reprimand those whom have hid in the shadows after committing horrendous acts toward other human beings. Their intention is obviously an attempt to solve racially motivated violent crimes, but any and all violent acts toward another human being should not be tolerated.

“To date, every civil rights murder case that has been reopened and successfully prosecuted was the direct result of an investigation initiated by a journalist.”

via Twitter / Open Society Inst.: Multimedia investigation


January 3, 2010

Frida Kahlo

December 19, 2009

Fine Craftmanship

December 17, 2009

Lightshow

Brooklyn, NY
Winter 2009


December 11, 2009

Tomb Raiders

Meridith Kohut
The New York Times

Caracas Journal – In Venezuela, Even Death May Not Bring Peace

via The New York Times


December 11, 2009

FAUSTO COPPI